I work on Wurundjeri and Wadawurrung land and am interested in the liveliness of matter, engaging clay, glaze and other stuff in experimental ceramic processes. Through experimentation and material poetics, I rethink the ways we relate to matter and to those ecologies that sustain us. My work proposes an ethic of empathy and recognition embodied in the organic and animistic qualities of porous, lively things.
We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the Boonwurrung and Woiwurrung people of the Kulin Nations, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.
This website may contain sensitive or triggering content