VCA ART 2021

Megan Evans

Bachelor of Fine Arts (Honours)

I am interested in the iterative act of seeing and seeing again. I work with and around processes of printmaking, layering, repeating, obstructing and shifting images, forms and effects. This becomes a way of looking at what we see and how we see. There is an instability to this, a disconnection. Through iteration, I make series of works in which the interrupted traces of the photographic meet forms and fracture, finding connections in different ways.

My current way of working is centred on the processes and modalities of monoprint, photopolymer and intaglio printmaking, which provide boundaries and rules that allow me to slow down. This gives me an opportunity to stop and start throughout the making process; with each pass through the press I have a moment to consider the interactions and connections being formed. I see this as a type of ongoing conversation.

Meg F Evans, Proof, Intaglio print on paper, 2021.
Meg F Evans, 7 Yellow, Intaglio print on paper, 2021.
Meg F Evans, ZZ, Crop, Intaglio print on paper, 2021.
Meg F Evans, Detail, Intaglio print on paper, 2021.
Meg F Evans, Kick! (with light behind it), Intaglio print on paper, 2021.
Meg F Evans, Kick! (with light behind it), Intaglio print on paper, 2021.
Meg F Evans, Zebmies, Photopolymer and mono print on canvas with wooden bar wall mount, 2021. Documentation by ALEC.
Meg F Evans, Install shot, Photopolymer and mono print on paper with wooden bar wall mount, 2021. Documentation by ALEC.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the Boonwurrung and Woiwurrung people of the Kulin Nations, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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