VCA ART 2021

Camille Perry

Bachelor of Fine Arts (Honours)

I am a lens-based artist practising on the unceded land of the Wurundjeri people of the Kulin Nation. My work attempts to reconcile a pervasive love for holding onto time and place through the analogue image with the contradictions that come about through this action. It is easy to forget that the nostalgic scene memorialised in a roll of film is dependent on chemical reaction. Ignited by ongoing efforts to disentangle the discarded waste from Narrm’s waterways and to investigate Coburg’s former Kodak factory, my work looks to rectifying the toxicity of my photographic practice by adopting non-toxic film-processing alternatives. How do we navigate the heartache of letting go of archiving time and place in order to reciprocate the care that place provides us?

Camille Perry, Still Image from Where The Merri Meets Edgars Creek, Super 8 film developed in Caffenol, 2021.
Camille Perry, Kodak Pty. Ltd. and the Capitalisation of Nostalgia, Found historic documents, manuals, and advertisements, 2021.
Camille Perry, Kodak Hill, Super 8 film developed in Caffenol, 2021.
Camille Perry, Letters, Handmade recycled paper and ink, 2021.
Camille Perry, Where The Merri Meets Edgars Creek, Super 8 film developed in Caffenol, 2021.
Camille Perry, Holding, Discarded disposable camera waste embedded in plaster, 2021.
Camille Perry, Where The Merri Meets Edgars Creek, Super 8 film developed in Caffenol, 2021. Documentation by ALEC.
Camille Perry, Where the Merri Meets Edgars Creek Installation, Super 8 film developed in vitamin c, washing soda, and coffee digitally scanned, CRT televisions, photographic prints developed in vitamin c, washing soda, and coffee on hahnemuhle paper, 2021. Documentation by ALEC.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the Boonwurrung and Woiwurrung people of the Kulin Nations, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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