VCA ART 2021

Frances Gaffney

Graduate Certificate of Visual Art

This series is a meditation on the Western nature–culture binary, which also contemplates the notion of the so-called anthropocentric era. My works explore the relationships and tensions between concepts of human and nature, portrait and landscape, negative and positive space, presence and absence. By using found images to create and recreate memories and imagined narratives in a series of collages, the element of serendipity becomes an important part of the process. Referencing these found-image collages, my subsequent oil paintings provide a sense of scale, depth and gravitas to the narratives I explore. Repeated imagery such as the mother, the child, water and industrial scenery serve both as metaphor and as a direct response to the overarching theme of environmental precarity.

Frances Gaffney, Exhibition View, Left City 1, City 2, City 3, Right Mother and Child, Grandmother and Child*, Oil on linen, paper on foam board, 2021. Documentation by ALEC.
Frances Gaffney, Mother and Child, Grandmother and Child, Oil on linen, 2021. Documentation by ALEC.
Frances Gaffney, City 1, City 2, City 3, Paper on foam board, 2021.
Frances Gaffney, City 3, Paper on foam board, 2021.
Frances Gaffney, Earth, Paper, 2021.
Frances Gaffney, Iraq, Paper, 2021.
Frances Gaffney, Landscape, Paper, 2021.
Frances Gaffney, Grandmother and Child, Oil on linen, 2021. Documentation by ALEC.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the Boonwurrung and Woiwurrung people of the Kulin Nations, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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