VCA ART 2021

David Haidon

Graduate Certificate of Visual Art

Informed by a background in theatre production, I employ photography to explore our various relationships with nature, suburbia and technology, and the ways in which they overlap.

I’m currently working with photogrammetry to study pot plants. By creating digital and physical echoes of these plants, I hope to question whether imaging processes might alter our perception of an object. Does replicating a 3D model and printing the skin of the model still qualify as a representation of a plant? Did I or the artificial intelligence algorithms create the work? Is it a collaboration with the artificial intelligence? Does any of it matter if the outcome is acknowledged as an artwork?

I enjoy asking these questions and learning what questions other observers find in my work.

David Haidon, Triptych, Semi gloss digital inkjet print on archival paper, 90 x 90 cm, 2021. Documentation by ALEC.
David Haidon, Triptych (Detail), Semi gloss digital inkjet print on archival paper, 90 x 90 cm, 2021. Documentation by ALEC.
David Haidon, Triptych (Detail), Semi gloss digital inkjet print on archival paper, 90 x 90 cm, 2021. Documentation by ALEC.
David Haidon, Triptych (Detail), Semi gloss digital inkjet print on archival paper, 90 x 90 cm, 2021. Documentation by ALEC.
David Haidon, Triptych (Process Shot), Digital photo, 2021.
David Haidon, Triptych (3d Render), Silent HD video, 24 seconds, 2021.
David Haidon, Triptych (Blender topographical adjustment), Screenshot, 2021.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the Boonwurrung and Woiwurrung people of the Kulin Nations, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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