Working across painting, moving image and assemblage, I consider aspects of translation, decay and technology within the order of contemporary structures. Cultivated from remnants of digital and physical environments, painterly layers of collaging, erasing and filtering become a process through which to build up surfaces that transform into present-day relics. Through colour, movement, fragmentation and recognition, I call into question facets of the self that are visibly disappearing or growing from the debris of the present. Intermediate states of expiration and resurrection are unveiled in a world without centre.
We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the Boonwurrung and Woiwurrung people of the Kulin Nations, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.
This website may contain sensitive or triggering content