Sculpture is where we test material, any material, your material.

Material comes from our body – our place and time, from a history, from a cultural memory, or the all-too-present future. Material suggests, reflects, cascades, shatters, lingers, transforms, protrudes and disappears. It pulls you in and pushes you away. We circle material, develop new techniques, strategies and languages that challenge established knowledge. Material is supported, physically politically and intellectually, by space, place and context, but let’s not go there right now; let’s stay with material and the impossibility of pinning it down.