VCA ART 2021

Katie Stackhouse

Master of Contemporary Art

I am interested in the intricate and complex connections that occur between bodies, objects and a site’s ecology. Throughout my practice, I consider philosophies of new materialism and the intersections between pedagogies of ecological stewardship, politics of care, feminism(s) and theories of place.
Working with sculpture, painting, video and performance, I seek to translate somatic relationships between the human body and sites, using materials that hold transformative properties and histories of ceremonial function, such as beeswax, bronze, plaster and paint.

The river near my home and the granite coastline where I have lived have at times become embodied in the art-making, subverting human-centric worldviews. The performative processes of painting on site welcome co-authorship with forces of weather, earth pigments and geological terrain.

Katie Stackhouse, Installation view: Syncopation II, Syncopation I, Song Vessel ( video ), Bronze, patina, cotton dyed with Ballee (Cherry Ballart), single-channel video with sound, bronze and performance, 2021. Documentation by Emma Byrnes.
Katie Stackhouse, Installation view: Syncopation I, Granite Painting #1, Granite Painting #2, Granite Painting #5, Bronze, patina, cotton dyed with Ballee (Cherry Ballart) and Acrylic paint, gouache, earth pigments, oil paint and oil stick on canvas, 2021. Documentation by Emma Byrnes.
Katie Stackhouse, Song Vessel, Video, bronze and performance, 4 minutes 11 seconds, 2021. Photography by Emma Byrnes. Performer: Sunny Kim. Videographer and editor: Mitch Dunn. Sound Engineer: Patrick Telfer.
Katie Stackhouse, Granite Painting III, Acrylic paint, gouache, earth pigments, oil paint, oil stick and canvas painted and photographed on Boonwurrung Country, 2021.
Katie Stackhouse, Archipelago, Limestone, sodium hydrogen carbonate and performance, 2018. Photograph by Lucy Foster.
Katie Stackhouse, Archipelago (detail), Limestone, sodium hydrogen carbonate and performance, 2018. Photograph by Lucy Foster.
Katie Stackhouse, Constellation (installation view), Silk dyed with Ballee (Cherry Ballart), cast and molten beeswax, plaster, silicone, wood, gold leaf, gold thread, limestone and performance, 2019. Photograph by Lucia Rossi.
Katie Stackhouse, Constellation (detail), Silk dyed with Ballee (Cherry Ballart), cast and molten beeswax, plaster, silicone, wood, gold leaf, gold thread, limestone and performance, 2019. Photograph by Lucia Rossi.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the Boonwurrung and Woiwurrung people of the Kulin Nations, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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