VCA ART 2021

Ezz Monem

Master of Contemporary Art

In Search of Mohamed is a set of multi-channel videos and photography works, for which I used my first name, Mohamed, as a starting point in research.
The project explores the tension between reverence and the profane by creating a manifold portrait of Mohamed appropriated from Egyptian cinema, collected, viewed, archived and manipulated, both digitally and manually, to highlight the ghostly boundaries of representation. Films have been collected based on specific criteria involving the use of the name Mohamed, either as a fictional character, a symbolic representation in a religious film or an actor’s real name, as displayed in the opening credits.

Ezz Monem, In search of Mohamed, Multi-channel video and sound, 35mm slides, Kodak Ektapro slide projectors, CRT TVs, bronze, 2021. Courtesy of THIS IS NO FANTASY. Documentation by ALEC.
Ezz Monem, In search of Mohamed, Multi-channel video and sound, 35mm slides, Kodak Ektapro slide projectors, CRT TVs, bronze, 2021. Courtesy of THIS IS NO FANTASY. Documentation by ALEC.
Ezz Monem, In search of Mohamed, Multi-channel video installation and sound, 162 35mm slides, Kodak Ektapro slide projectors, plywood, 2021. Courtesy of THIS IS NO FANTASY.
Ezz Monem, In search of Mohamed, 162 35mm slides, Kodak Ektapro slide projectors, 2021. Courtesy of THIS IS NO FANTASY.
Ezz Monem, In search of Mohamed, Multi-channel video installation and sounds, CRT TVs, plywood, 2021. Courtesy of THIS IS NO FANTASY.
Ezz Monem, In search of Mohamed, Multi-channel videos and sounds, CRT TVs, 2021. Courtesy of THIS IS NO FANTASY.
Ezz Monem, In search of Mohamed, Multi-channel video installation and sound, 162 35mm slides, Kodak Ektapro slide projectors, plywood, 2021. Courtesy of THIS IS NO FANTASY.
Ezz Monem, In search of Mohamed, Multi-channel video installation and sound, 162 35mm slides, Kodak Ektapro slide projectors, plywood, 2021. Courtesy of THIS IS NO FANTASY.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the Boonwurrung and Woiwurrung people of the Kulin Nations, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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