My practice considers the past through personal, art-historical and material references to arrive at forms that evade their own meaning through processes of contradiction. In using materials such as packaging waste, found objects, voice recordings, sound, video and textiles, I attempt to communicate states of uncertainty and refusal. Arising from research into feminist and psychoanalytic studies of identity, my work addresses issues such as conflict, denial, competition and lack. It attempts to embody of these themes while echoing greater concerns around resourcefulness and excess in an age of uneven access.
We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the Boonwurrung and Woiwurrung people of the Kulin Nations, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.
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