Travis Ficarra

Master of Fine Art

My practice incorporates 3D modelling, digital mediums and painting. I am interested in the intersection of digital and analogue modes of representation, oscillations between painting and the screen, transferral between virtual space and flatness, and the relationship to view and perspective. At this intersection exists a site of tension between the inside and the outside – a threshold as both boundary and bridge. Drawing on notions of virtuality, illusion and fantasy, the resultant work occupies a realm of collapsing frames, surface effect and hollow facade.

Website

www.travisficarra.com

Social

Instagram

Enquiries

travisjohnficarra@gmail.com

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Travis John Ficarra, The Marbled Swarm I / the Inner Chambers, nestled between various rooms, Digital print, 2020. Documentation by Darren Tanny Tan.

Travis John Ficarra, depiction of front facing structure / with various foliage taken from the surrounding property I, Foil print, 2021. Documentation by Darren Tanny Tan.

Travis John Ficarra, depiction of front facing structure / with various foliage taken from the surrounding property II, Foil print, 2021. Documentation by Darren Tanny Tan.

Travis John Ficarra, depiction of front facing structure / with various foliage taken from the surrounding property III, Foil print, 2021. Documentation by Darren Tanny Tan.

Travis John Ficarra, depiction of front facing structure / with various foliage taken from the surrounding property IV, Foil print, 2021. Documentation by Darren Tanny Tan.

Travis John Ficarra, Stage, Digital print, 2020. Documentation by Darren Tanny Tan.

Travis John Ficarra, Depiction of front facing structure / with various foliage taken from the surrounding property VI, Foil print, 2021. Documentation by ALEC.

Travis John Ficarra, install, 2021. Documentation by ALEC.

Adam John Cullen

Isabelle Rudolph

Tess Mehonoshen

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the Boonwurrung and Woiwurrung people of the Kulin Nations, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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