VCA ART 2021

Jacqueline Felstead

PhD

Loss in a Simulated Environment

My three-dimensional photographic works reintroduce absent subjects – those that can no longer be seen nor exist – back into collective consciousness. Challenging the perceptual distinctions of traditional photography, in these works mappable territories are defined through positive and negative space, thinness and thickness, forms, edges and undersides. The research informing the project connects three-dimensional photographic technologies with propositions for future personas, politics and loss.

Jacqueline Felstead, James Asleep, HD Video, 2020.
Jacqueline Felstead, Reclining Nude Man, Archival pigment print of photogrammetric model, 2019.
Jacqueline Felstead, Zoe Holding Flowers, Archival pigment print of photogrammetric model, 2015.
Jacqueline Felstead, R's wall Gatwick Private Hotel, Archival pigment print of photogrammetric model, 2017.
Jacqueline Felstead, R's bed Gatwick Private Hotel, Underside of the ceiling Gatwick Private Hotel, Blush drywall Gatwick Private Hotel, Cut-out pigment print on composite panel and archival pigment prints of photogrammetric models, 2017-2021.
Jacqueline Felstead, Sacred Buffalo Guardian Mountain (Transmission), Resin on steel support, 2019/2021.
Jacqueline Felstead, Bryce, Bronze, 2015-2021.
Jacqueline Felstead, James, Aluminum cast from 3d print of a single line of filament on steel support, 2019.

We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the Boonwurrung and Woiwurrung people of the Kulin Nations, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.

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