Emmanuel Rodriquez-Chaves
...a straight line towards the unknown
I sincerely think that the space generated by artistic production and research is essential for life. At least for mine. Starting from this existential motto, I observe the images of these artists and they fill me with emotion, especially when I observe something that catches my attention because I don't understand it at first sight. Exactly like when you look at a person and you understand that there is something mysterious there that calls you, but you don't know why. Is it a void, devouring everything that comes close? Or is it some mundane technical effect? It is not so simple to define. Lol. These artists I have chosen vary in subject matter, technical qualities, poetics, language and facture. I have been attracted to them for different reasons, but the main reason has been the enigmatic nature of their images: I see them through a curved screen, 14,239 km (or so Google tells me) away from Melbourne and Sarchí, Costa Rica, where I am at the moment. About 16 hours in the past. I always use this phrase to describe what I think when I talk about art that interests me, and I'm sorry if you've heard it from me before, it's from the Chilean writer, Roberto Bolaño. It comes in his book, Los detectives salvajes, or Estrella distante, I don't remember:
'With his back turned, looking at a point but moving away from it, in a straight line towards the unknown.'
Artists
Ezz MonemDarren Tanny Tan
Christina May Carey
Yundi Wang
Ashley Perry
Clara Joyce
Evangela Lines-Morison
Miream Salameh
Constantine Virtanen
Elena Misso
Camille Perry
Christopher Theofanous
Claudia Saballa Hobbs
Elsie Preston
Jay Presland
Yasmin Hopkins
Susan Mountford
Eleanor Laver
Rebecca Suares-Jury
Angela Nolan
Arthur Nyakuengama
Caitlin Aloisio Shearer
Blair Leggatt
Emmanuel Rodriquez-Chaves
Emmanuel is a visual artist. Born in Costa Rica in 1986. Studied Fine Arts at the University of Costa Rica, and at the Kunsthochschule Weissensee, Berlin KhB, under the German Academic Exchange Service (DAAD). He recently completed a PhD at the Victorian College of the Arts, University of Melbourne, under the supervision of Sanja Pahoki. Where he was a recipient of a Melbourne Research Scholarship. His research examines the role that memory and narrative play within discourses of conflict and the construction of histories. Specifically, how contemporary art establishes and negotiates relationships between philosophical aspects around the manipulation of images and socio-political imaginaries (the values, systems and symbols common to a particular social group) to construct new narratives.
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