I use overworking as a method of creation. Drawing on memory, found domestic objects and materiality, I compress volatile feelings into precariously constructed images, text and sculpture, evoking a loose narrative between different media in a given space. My work explores what transpires when a catalyst is never introduced and what is created when a finished object is asked to continue. I present speculative, non-rational iteration as equal and vital to its primary source.
We acknowledge and pay respect to the Traditional Owners of the lands upon which our campus is situated, the Boonwurrung and Woiwurrung people of the Kulin Nations, who have created art, made music and told their stories here for thousands of generations. We also acknowledge and extend our respect to the Traditional Owners of all lands on which our work is viewed, shared and enjoyed, and to all Elders, past, present and emerging.
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